Edge (2010)

The BFI festival is running from the 13th until the 28th of October, and this gave me the chance to broaden my horizons and check out some Independant film yumminess, the first being "My Joy" and the second being Edge, written and directed by Carol Morley, and starring Maxine Peak, Marjorie Yates (both of Shameless fame) Joseph Dempsie and Nichola Burley.

The story revolves around 6 strangers staying at a little hotel in a non-descript area of the British coast, where each the guests seem to be in some way broken inside, the six main guests pair up into 3 groups which give us our 3 main stories (loosely flowing in and out of one another) as well as the Receptionist and Waitress phasing in and out as comic relief. the film cuts between each of the pairs, where usually one of the 2 has an issue the other is trying to help them overcome, while revealing their own flaws in the process, slowly working through each of their problems until the finale, which envelopes all three tales and culminates them into one ending.

Having attended the BFI film festival showing, the film was followed by a Q&A, in which Writer/Director Morely explained how delicate a balance it was between the humour and the dark source material, and that it was something she wanted to convey as all those darker moments in her life were usually surrounded by humour too. This, I feel, was something she didn't fully pull off in the execution, while stunning to look at, as long takes and the beautiful landscapes give you plenty to ogle, this Indie Drama feels a little watery at points, without giving too much away a lot of what happens, the climax feels a bit forced, something more likely to come out of a soap opera episode climax. But it was striking a balance between morbidity and laughter that something never quite clicked, while the humour DID work it just as if it were placed at the wrong time on some occasions.

Overall, great to see low budget Brit Indies being made at such a high calibre, the whole cast manage to convince us of their inner turmoil and angst, if only the story hadn't felt so much like a "made for TV deal" 6/10.

The Town

Stifled, dreary, cliche - these are just some of the words I would use to sum up Ben Affleck's latest critical and commercial success. Affleck plays a man who robs banks. When a job goes awry, his cohorts take a female hostage (Rebecca Hall) to secure their safety, and release her soon after. Paranoid that the hostage may rat them out to the FBI, Affleck's dangerous running buddy (Jeremy Renner) decides she needs to be kept tabs on, and Affleck takes the job. He falls in love with her. And there is the twist!

Poor old Ben Affleck's acting has always been subject to a hefty amount of scorn. Unfortunately, he does himself no favours here. Often sounding like a punch drunk stroke victim, Affleck's performance is so wooden, slow and plain you will drift off half way through. Poor old Ben, the same can be said of his direction too...

The film is littered with basic, fundamental film making flaws. The pacing is tired and stale, drifting from one awkward conversation to another. At no point was I convinced Hall's character would EVER be interested in Affleck's slow talking, world weary criminal, but then we aren't really told a great deal about her. Rebecca Hall struggles to make a role devoid of any character come to life. However, Jeremy Renner's character is intimidating and well played (if ultimately under-utilised) and the actual hiest scenes are enjoyable. I can't think of much else positive to say.

Despite the film's generally warm critical reception, I cannot understand why anyone but uber lovers of the genre would be interested in this cliched, badly scripted, boring 'COP DRAMA' that views like it was made for television.

3/10